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Our Patch

How is Australian sovereignty being acted out at home and abroad in the second century of federation? In this agenda setting book, Suvendrini Perera brings together leading thinkers to map the imaginative and political space claimed as  'Our Patch'. Contributions by Tim Anderson, Ruth Balint, Anthony Burke, Maxine Chi, Maria Giannacopoulos, Suvendrini Perera, Henry Reynolds, Jon Stratton, Dinesh Wadiwel and Irene Watson. To order, please contact Network Books at 08 9266 3717 with your order details. ...
Thursday, 23rd May 2013
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Altitude BirdIssue 44
Features reviews by Kathleen Broderick, Linn Miller, Christine Choo, Bill Thorpe, David Ritter, Eve Vincent, Stephanie Bishop, Alison Miles, Richard Kay, Amanda Day, Bernard Whimpress, Mads Clausen, Marion May Campbell, Sylvia Alston, Catie Gilchrist, Eva Chapman, Lucy Dougan, Stephen Lawrence and Nathanael O'Reilly. Click here for more details.


Altitude

Altitude BirdPopular Music: Practices, Formations and Change - Australian Perspectives
The papers collected here in this special edition of Altitude offer a brief snapshot of popular music research broadly connected with Australia. The essays demonstrate the variety of theoretical and methodological approaches used by researchers in the fields of popular music studies and cultural studies to explore themes of popular music practice, formation and change in an Australian context. Click here for more details.



 
 
 
 

Quirky Qwerty: the story of the keyboard @ your fingertips

By Torbjorn Lundmark, Sydney: UNSW Press, 2002, 172 pages, hardback, $19.95. Reviewed by Amanda Muller in the December 2002 issue.

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This is a good book for those seeking answers to questions such as who invented the spaces between words, how the keyboard was invented, and why the dollar sign '$' now has one line instead of two down the middle. The biggest drawback is the lack of a conventional index. However, I have still managed to refer to this book for information three times in the last fortnight -- definitely a good sign. Despite this, my initial impression of the book was unfavourable. One of the first things I look for in a non-fiction book is an index, and thereafter the ability to keep the pages open easily. It is a narrow book and reminds me of a cocktail mixing guide, perhaps a fair warning of what was to follow. While I write this review, two bulldog clamps are holding the astoundingly tight binding of the book open. I believe the weight of width would have helped.

Quirky Qwerty begins by giving an overview of the development of the basic western keyboard. Thereafter, a concise historical summary of some writing systems is provided. These include Egyptian hieroglyphs, Chinese logographs, Semitic consonant graphs, Greek direction changes, Roman additions, and the formation of lower and upper cases. Syllabic or featural writing systems are not included, but this is because the main focus is placed on the basic western keyboard and the development of the written characters it represents. The only odd element in this tightly written book is the inclusion of the Chinese writing system which did not contribute significantly to the Latin alphabet and merely serves as an example of pictographic writing which is still in use today. This section closes with an historical overview of diacritics, punctuation and symbols.

In the next section, Torbjörn Lundmark looks at each character of our writing system and gives a specific history of it. Keeping with the theme of the book, the layout of the keyboard determines the order in which each character is addressed. As such, he lists numerals and letters as they appear sequentially on the keyboard. Thereafter, punctuation marks and symbols are outlined in a similar manner. Where necessary, he has grouped listings for elements which have common historical relatives, e.g. the letter 'y' is listed under the letter 'i' because they have the same historical antecedents. In addition to basic descriptions, the author lists any special uses, abbreviations, and adds jokes which are specific to a feature of each particular character. The book ends with a handy list of codes and key combinations for the production of letters and symbols not displayed on the computer keyboard. For example if you type '+0252' while holding down the 'alt' key on a PC, the character 'u' with an umlaut appears, ie. 'ü'.

Since the topic is fairly mundane, the average reader might expect that Quirky Qwerty would be dry reading. However, its informal style ensures that the reader remains engaged and interested long after other books dealing with the same topic would have become boring. As suggested by the title, many small unusual pieces of information are interspersed among the text. These tidbits enhance the delivery of information rather than detract from the main topic at hand. All in all, Quirky Qwerty is a well-written and useful reference book which also has the rare quality of being entertaining.

Citation

  • Amanda Muller. 'Review: Quirky Qwerty: the story of the keyboard @ your fingertips by Torbjorn Lundmark' [online]. Network Review of Books (Perth, Australian Public Intellectual Network), December 2002. Availability: <please cite the web address here> ISSN 1833-0932. [accessed 23 May 2013].

Back Cover Blurb

  • The story of the keyboard begins with ancient hieroglyphs and reaches to the very recent Euro symbol. This text tells the story of each character on the keyboard, as well as the multitude of additional marks that cannot be found on the keys but can still be typed by anyone using a computer.

Have You Also Read?

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    imageAlison Bartlett, Sydney: UNSW Press, 2005, 208 Pages, Paperback, $39.95
    Reviewed by Amanda McLeod in the January 2006 issue.

    Exploring the deeply held cultural assumptions embedded in the meanings of breastfeeding, Breastwork offers new and empowering narratives that seek to remake the representations and knowledges of breastfeeding and maternity. Despite much of the literature on breastfeeding appearing clinically and scientifically neutral, Alison Bartlett's examination reveals 'impossibly contradictory and inexplicable [stories] knotted around the meanings of women's bodies and sexuality' in terms of class, gender, heterosexuality, race and religion. (p 3) In rejecting the idea that breastfeeding is a natural and instinctive act, Bartlett, Director of the Centre for Women's Studies at the University of Western ... read more.
     



 
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  • The University of New South Wales Press has a reputation for producing thinking books for thinking people -- books that create debate and tackle social and intellectual issues. Established in 1962, the company is owned by the University of New South Wales and operates independently under our board and professional management.

NRB December 2002

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