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Discordant Notes

Journal of Australian Studies 88
Bart Ziino Who Owns Gallipoli? Australia's Gallipoli Anxieties 1915-2005, Sue Lovell, 'Dew to the Soul': One Australian Artist's Response to War, Peter Kirkpatrick Hunting the Wild Reciter: Elocution and the Art of Recitation, Felicity Plunkett 'You Make Me a Dot in the Nowhere': Textual Encounters in the Australian Immigration Story (the Fourth Chapter), Bridget Griffen-Foley From the Murrumbidgee to Mamma Lena: Foreign Language Broadcasting on Australian Commercial Radio, Part I, Emily Pollnitz ...
Friday, 24th May 2013
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Altitude BirdIssue 44
Features reviews by Kathleen Broderick, Linn Miller, Christine Choo, Bill Thorpe, David Ritter, Eve Vincent, Stephanie Bishop, Alison Miles, Richard Kay, Amanda Day, Bernard Whimpress, Mads Clausen, Marion May Campbell, Sylvia Alston, Catie Gilchrist, Eva Chapman, Lucy Dougan, Stephen Lawrence and Nathanael O'Reilly. Click here for more details.


Altitude

Altitude BirdPopular Music: Practices, Formations and Change - Australian Perspectives
The papers collected here in this special edition of Altitude offer a brief snapshot of popular music research broadly connected with Australia. The essays demonstrate the variety of theoretical and methodological approaches used by researchers in the fields of popular music studies and cultural studies to explore themes of popular music practice, formation and change in an Australian context. Click here for more details.



 
 
 
 

Gender Trouble Down Under: Australian Masculinities

By David Coad, Presses Universitaires de Valenciennes: 2003, , 200 pages, paperback, $39.95. Reviewed by Dean Durber in the October 2003 issue.

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David Coad's journey into the cultural phenomenon of gender 'Down Under' traces the existence of a 'homosexuality' from convict days, through the bush, on to the back of iconic larrikins, right into the bloody trenches of Gallipoli and, finally, into the heart of the outback where Crocodile Dundee is seen to be fighting it out with Priscilla. At the centre of the author's argument is the suggestion that Australian masculinity (read: heterosexuality) relies upon the exclusion of a homosexuality that is always knocking at the back door (pun? yes, loud and proud!). His attempt to 'queer' the widely promoted solidity of the Aussie male takes on board the suggestion that an interior identity is constructed through that which is paradoxically believed to exist on the outside. Coad's effort to deconstruct Australian masculinity adheres to the suggestion that heterosexuality is formed through a constant expulsion of, and therefore reliance upon, that which it does not wish to be: a homosexual.

In his discussion of the popular myth of Ned Kelly, Coad avoids labelling Kelly and his gang as 'homosexuals'. In asserting rather that 'there was a homoerotic side to the strong links of mateship evident in the Kelly gang' (68), Coad is able to make a distinction between homoerotic desire and homosexuality, and thus does not fall into the trap of deploying recent understandings of sexuality to interpret relationships of the past. Here, Coad's desire to 'queer' hints at successful consideration of same-sex attraction outside of normalised understandings. However, he then proceeds to re-establish the very binary of heterosexuality-homosexuality that is said to be so intrinsic to the construction of normative masculinity but which 'queer' finds to be problematic, offensive and, more importantly, a blatantly normalised perpetrator of the hegemonic debate that looks into these so-called gender troubles.

The Aussie male is proven to be reliant upon that which he seeks to eradicate, and thus Coad's investigation is brought to a coherent conclusion. But this is achieved only by leaving normative binaries intact. The heterosexual man can resort to violence to deflect the homosexual threat (138) because these definitions of sexuality survive. The 'Marlboro Man' can fall for a transsexual (140) because normative definitions of gender are not destroyed in the battle for the heart of Australia. Thus, because his understanding of 'queer' implies a simplistic non-heterosexuality, Coad does not so much reveal a 'queer' view of Australia, as present an argument to explain the importance of Euro-centric notions of gender and sexuality binaries in the construction of the 'trouble', and this has increasingly become an object of study in the past few decades of a narrative of liberation of woman from man, of homosexual from heterosexual. And so it is that a 'group of adventurous Australians' leave 'the urban periphery' and travel 'to the centre of the country' (141)--as if to offer a metaphor of what Coad himself attempts. In the process we see the reaffirmation of the normality of these Euro-centric systems of classification in a land whose very heart is once again all but forgotten. Given this approach, it is not surprising that Coad offers only fleeting reference to 'Aboriginals', and does so only to suggest their acceptance of his queerings (How nice it must be for us to now believe that these once (?) marginalised peoples now sit so comfortably at our tables).

At times, this narrative of the emergence of a queer identity within the Australian nation hints at the promise of new enlightenment into this debate. But it falters, and offers much of what has already been said, without challenge. Connections that could have been made to strengthen the work have been avoided, perhaps missed. Perhaps the title of the book itself reveals the level to which the standard Euro-centric ideas will ultimately prevail. After all, one only has to rotate the map to get Australia out from 'down under'. But, as is exemplified in this country's promotion of itself, the fear of being queer has once again managed to come out on top.

Citation

  • Dean Durber. 'Review: Gender Trouble Down Under: Australian Masculinities by David Coad' [online]. Network Review of Books (Perth, Australian Public Intellectual Network), October 2003. Availability: <please cite the web address here> ISSN 1833-0932. [accessed 24 May 2013].

Back Cover Blurb

  • Australia has always been a queer sort of place full of big, butch, beefy bootmen, skipping kangaroos and blow flies. It still is...

    Gender Trouble Down Under takes up the 'Oz bloke' hypermasculine, heterosexual fantasy and shows to what extent this sexual, gender and national stereotype is odd, partial and exclusionary, in a word, queer.

    This re-reading of the Great Australian Legend demonstrates that Down Under is a paradise of perversion: buggery in the barracks between male convicts, cross dressing bushrangers, bushmen as bent as a dog's hind leg, randy jackaroos ready for anything. And that is without counting the sportsmen in frocks, the queens of the desert, or Dame Edna Everage.

    In Gender Trouble Down Under the outback is outed.

Have You Also Read?

  • Drumming on Water

    imageGeoff Page, Brandl and Schlesinger: 2003, , 180 Pages, Paperback, $26.95
    Reviewed by David McCooey in the April 2004 issue.

    The popularity of the verse novel--at least among poets--continues with new works from Geoff Page and Paul Hetherington. Australian verse novels tend to either minimalist or maximalist poles. The former is most obviously seen in the work of Dorothy Porter, but it is also seen in the documentary verse novels of Jordi Albiston. The latter is seen in the long (and very different) works by Alan Wearne and Les Murray. The difficulty for all verse novelists is maintaining both the energy of lyric poetry and the impetus of narrative poetry. Drumming on Water, Geoff Page's second verse novel, shows up the limitations of the minimalist/maximalist model. It has a balladic sense of scale and action, ... read more.
     



 
Network Review of Books

NRB October 2003

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